Bal Harbour

Spring/Summer 2022

Issue link: https://www.balharbourdigital.com/i/1461738

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n entrepreneur, an artist and an editor walk into a bar," creative agency founder and native Miamian Farryn Weiner jokes over Zoom on a bright January afternoon. She's wryly referring to herself (the entrepreneur) and the others on the call: her younger sister, painter Austyn Weiner, and her twin, fashion editor Amanda Alagem. The three powerhouse sisters are IKFFKN[TKHƂPIQHHQPGCPQVJGTtVJKUKPURKVG of their copious personal press, being their ƂTUVUJCTGFKPVGTXKGY You might recognize Farryn from one of her ascending career accomplishments covered by Time (one of 2013's most important Twitter feeds), Forbes (2016's 30 under 30 list) or Elle, or from her Brides cover of her wedding in 2018, or from listening to either season of her podcast, Farrynheight. Perhaps you remember Austyn's painted portraits of Cara Delevingne and Gigi Hadid, have worn the 2019 Each x Other collection patterned with her prints in silhouettes constructed using her own body, have visited her solo shows in Los Angeles, New York, Miami or London or have seen her work gracing the walls of the homes of Hadid, Anita Ko and Philip Niarchos, to name a few. And maybe you're familiar with Amanda from the street style photos documenting her fashion week looks, or from one of the innumerable editorials she has produced in her tenure as accessories director (now contributing editor) at Harper's Bazaar. On this particular afternoon, the sisters are utterly alive in their own realities, each with dark, focused eyes. From her Frogtown UVWFKQKP.QU#PIGNGUtCOKFUVECPXCUGU she's readying for forthcoming shows in 5GQWNCPF/KNCPt#WUV[PYGCTUCPQXGTUK\GF Public Relations From left, Amanda Alagem, née Weiner, Austyn and Farryn Weiner at Austyn's Los Angeles studio. BAL HARBOUR 185

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