ast year during Art Basel Miami Beach, gallerist Patricia
Conde staged an unusual show, "Fotografía Maroma ,"
where she and her co-curator Fariba Farshad spotlit the
work of four Mexican photographers—Patricia Lagarde,
Javier Hinojosa, Ilán Rabchinskey, and emerging talent
Margot Kalach—who'd been tapped to turn their lens on
the Riviera Maya. But this was no whimsical folly; rather,
it was a hint of what to expect from the five-star hotel Maroma, which had
just reopened there after a years-long renovation. The show also set the
tone for what to expect from Maroma operator Belmond, four years after
the company joined the LV MH portfolio.
L
UNDER THE STEWARDSHIP OF LVMH, BELMOND
BRINGS EVEN MORE CACHET TO ITS STABLE OF
GLAMOROUS PROPERTIES WITH A SERIES OF
HIGH-PROFILE ART AND CULTURAL COLLABORATIONS
BY MARK ELLWOOD
ARTISTS
Residence
in
BAL HARBOUR 145
