Bal Harbour

notations hink of Bal Harbour Shops as the consummate hostess of the best dinner parties that everyone wants to attend—and you're invited to sit at the head of the table," said Publisher Carolyn Travis when offering me this job of Editor-in-Chief. Bal Harbour Shops is indeed like a fun, whimsical character in a Capote novel—one with impeccable taste who is dressed to the nines, flitting around barefoot and making sure everyone is happy and having a good time. Maybe it's the palm fronds, the koi ponds, or the regal turtles stretching out their necks to greet whomever stops to say hello. Or simply the lush greenery swaying in the warm sea air as one walks by the enticing scenery in the shop windows, and the sultriness of the outdoor cafes buzzing with whispers and laughter. It all seduced me and I said yes. After all, I grew up in Miami Beach and left to pursue my magazine career in New York City after attending the University of Miami, so this is coming home full circle to my childhood playground. I see Bal Harbour as a conduit of the spirit of the Shops. The quality of its paper, the thickness and feel of its heft, represent the luxury found at Bal Harbour. In turn, the redesign plays a significant role in evoking this elegance and sophistication. It begins on the cover with our new logo connecting the branding of the magazine to its origin. Inside, illustration plays an important role in introducing each section, just as it has been an essential part of Bal Harbour Shops' DNA. To enhance the already strong content at the core of this magazine, I have introduced a few new columns (with more to come), such as "3 Days, 2 Nights, 1 Bag" for your next getaway; "The Courtyard Chronicles" for all things Shops-related; and "The Desirables" for your next must-have item, produced by legendary editor (and dear friend) Glenda Bailey, for whom I worked at Marie Claire before she reigned at Harper's Bazaar. The last page is now an homage to the past: called "Flashback," it's a reminder for the future of all things once bright and shiny and new. Just like Bal Harbour Shops, a modern throwback with shopping at its core and all the fun that comes with it. DEBORAH FRANK Editor-in-Chief The Fall collections are so rich in textures, colors, and wearable styles that featuring this issue's fashion portfolios on two covers almost wasn't enough—it was hard deciding which looks to spotlight! But the joyful whimsy of Thomas Whiteside's renowned photography really shines through with model Ali Michael in Prada (top). And the way Matthew Sprout plays with light gives model Sasha Kichigina in Gucci a retro modernity on location in Asheville, North Carolina. " T BALHAR B O U RSH O P S .CO M

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