get the look
TIMELESS
TEXTURE
"Take a textural cardigan
and belt it; dress it up,
dress it down. I love the
elbow-sleeve cardigan
over the fisherman/
bubble knit at Chanel.
Most people wouldn't
think to layer a textured
knit over a textured knit.
The sweater is a true
fisherman cream, while
the cardigan is a winter
white: You absolutely
can mix ivory, cream, and
white. I always have
a stash of double-faced
French velvet ribbon,
about an inch wide in
varied colors, in my kit to
use as belts. Clip it with
a bar hook or tie it on to
proportionally make
the waist look smaller
and legs longer."
IT'S A WRAP
"This look in the film is
very similar to a red dress
that Maria wore at her
debut in 1958 at the Paris
Opéra [now called the Palais
Garnier]. Erdem's Fall/
Winter 24 collection was
solely inspired by Maria
and the red dress is a
combination of the movie
character and the real
Maria; the performer and
the person. It's about the
color, the wrap coverage
of the shoulder, the big bow,
the draping on the front.
Even the red crystals are
reminiscent of her love
of jewelry and gemstones."
"Every thing she wore was a look . Every place was a stage to her.
Life was part of the performance and that translated into her clothes."
— JEN R A DE
Erdem's Fall/Winter
24 collection was a
tribute to Callas's
1953 performance of
Medea, with signature
details like this
draped scarf neckline.
Layers of
knitwear as
seen at
Chanel's Fall/
Winter 24
collection
Maria captures
Callas's final days
in the late '70s,
when her casual
looks were classic,
but with a cool
boho spin.
Styles with scarf-like wrap
details were a go-to in
Callas's wardrobe, as seen
here on Jolie in Maria.
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BALHAR B O U RSH O P S .CO M
