Issue link: https://www.balharbourdigital.com/i/1546381
Danielle Naer is a Brooklyn-based fashion editor and creative director with over a decade of experience across the luxury space. Since getting her start as an assistant at Condé Nast, her editorial work has appeared in publications such as Vogue, Elle, and V Magazine. She was also content director at Editorialist for five years. For this issue, Naer produced the BHS Edit pages, capturing four of the season's most dominant trends. "This season, I was inspired by the tension between polished and undone. Designers dabbled in the Western spirit of 'At the Ranch,' the cultivated ease of 'Sciura Style,' the timelessness of black and white, and the unabashed femininity of 'Hopeless Romantic.' They're very different moods, but each offers a distinct point of view that can be mixed in with your core fall pieces all season long. I know I sure will be!" in this issue Cameron Silver is a luxury-brand strategist, fashion historian, museum-exhibition curator, and the author of three books, including "Elizabeth Taylor: A Life in Style" (Rizzoli, Fall 2027). Best known as the founder of the pioneering luxury vintage boutique DECADES, he also contributes to the New York Times, Vogue, ELLE, and Harper's Bazaar. "Having followed Dolce & Gabbana's creative journey for more than a decade, it was a pleasure to write about the house's fine jewelry collection. Each piece reflects the extraordinary craftsmanship, rich Sicilian heritage, and unmistakable sense of fantasy that define the brand." Pierre Crosby is a born-and-raised New Yorker. Passionate about photography and visual arts from a young age, he has contributed to publications such as Vogue, Harper's Bazaar, iD Magazine, and the Financial Times. For his first contribution to Bal Harbour, he shot model Adama Jobe in "Power Play." "I loved shooting this story with Adama. Her energy carried the shoot, and all I had to do was simply follow it." C O U R T E S Y O F B FA (C A M E R O N S I LV E R) 58 58 BALHAR B O U RSH O P S .CO M

