Issue link: https://www.balharbourdigital.com/i/86796
SEASON OF A NEW STAGE FOR FASHION Valentino Garavani working in the New York City Ballet costume shop. Models wearing Chloé in French Vogue, February, 1979; right, an illustration by Sandra Suy of a look from Clare Waight Keller's Spring 2012 collection. SIGNORE GARAVANI, KNOWN SIMPLY AS VALENTINO, MAY HAVE RETIRED FROM DESIGNING HIS NAMESAKE LINE, BUT THE MASTER COUTURIER COULDN'T STAY AWAY FOR LONG—HE IS, AFTER ALL, A PERFORMER. THIS FALL, HE'S TAKING HIS LEGENDARY SKILLS FOR A SPIN ON THE STAGE AT LINCOLN CENTER AS HE CREATES COSTUMES FOR THREE WORKS BY NEW YORK CITY BALLET'S PETER MARTINS. JANUARY 24-27. Chloé's founder Gaby Aghion 36 BAL HARBOUR Paris through November 18, traces the history of a company renowned for its delicate balance of youthful femininity. The pret-a-porter maison will re-issue 16 of the most iconic pieces from its archive, including Karl Lagerfeld's Violin dress (S/S 1983), Stella McCartney's pineapple-print T-shirt (S/S 2001), Phoebe Philo's Paddington bag (S/S 2005) and Hannah MacGibbon's cape and leather shorts (A/W 2009). The pieces will be available at Chloé boutiques in February 2013. CHLOÉ 60TH ANNIVERSARY "Chloé. Attitudes," an exhibition at the Palais de Tokyo in CLOSET SPACE As part of Paris' Festival d'Automne, Tilda Swinton stars in The Impossible Wardrobe, a performace where Swinton studies garments held within the archives of the Musée Galliera. PHOTOS BY PAUL KOLNIK (VALENTINO); © THE ESTATE OF GUY BOURDIN/ ART + COMMERCE (CHLOE); OLIVIER SAILLARD (SWINTON); PETER LINDBERGH (CHRISTENSEN); © PETER ASHWORTH (JONES)