Issue link: https://www.balharbourdigital.com/i/575200
42 BAL HARBOUR Sabrina Wirth has been working within the intersection of art, design and architecture for the past 10 years as an art consultant, curator, writer and graphic designer. This issue, Wirth speaks with photographer Kelly Klein about her new book and her self-taught career behind the lens. "I love the fashion of the '20s because everything had more movement and was more romantic. There was more attention to detail and women's dresses were so feminine." A former hedge-fund attorney, Bee Shapiro is now a contributing columnist to The New York Times Fashion & Style section. Her work has also been featured in Vanity Fair, W, Harper's Bazaar and Fast Company. Shapiro meets fashion force Rosie Assoulin to discuss her eponymous label and its cult following. "My favorite decade in fashion is the '90s. I'm from Seattle and came of age when Nirvana peaked. I will forever be a fan of moody eyeliner, plaid and tattered jeans." Lynn Yaeger is a fashion writer who lives in New York City and has an imaginary apartment in Paris, where she spends all, or at least most, of her time visiting flea markets. She writes frequently for Vogue, T: The New York Times Style Magazine, Travel + Leisure and the Sundance Channel's Full Frontal Fashion website. In "French Twist," Yaeger has a candid conversation with legendary stylist Carlyne Cerf de Dudzeele and shares why Twiggy made such a lasting impression on her. "My favorite decade is the 1920s. Who doesn't look good in a beaded flapper dress and a velvet cocoon coat?" Contributors Jessica Michault is the editor-in-chief of fashion industry website NowFashion.com. For more than 15 years, she has covered fashion, from Hollywood red carpets to haute-couture collections. Michault's work has appeared in The New York Times, The International Herald Tribune and Vogue Italia, among others. Michault recently became balharbourshops.com's fashion news editor. In this issue, she reports from behind the curtain of the notoriously private house of Goyard. © TOMMY TON (YAEGER)